Tuesday, 29 January 2013

Some Technical Research

Technical Specs 

I have found some useful web pages regarding the technical specs.
  • Audio is submitted in a .wav or .bwav (broadcasting wav) file format. 
  • BBC Scotland productions are delivered in Linear PCM format at 48kHz, 16 bit.
  • Broadcasts must have a max level of PPM6. PPM meters are used within broadcasting studios and go up to PPM7 in level, there is 4dB between each level on the meter. I think if you are using Pro Tools it is desirable to regularly reach -10dB throughout your production.
  • The lowest the level your broadcast should reach is -18dB or PPM4
  • A reference tone may be required; a reference tone is a 1000 Hz sine wave which is output at -18db. When a programme is broadcast it's reference tone is used to identify how loud the programme must be broadcast to ensure consistent levels.
  • Stereo recordings must be mono compatible and free from phase issues.
(BBC (1) 2013).

Any sound effects or music used should be linear (uncompressed), certainly not lossy compressed (BBC (2) 2013).

References

British Broadcasting Corporation (1). 2013. Technical Specifications: WAV & BWAV Programme Delivery. [online]. Available from: http://www.bbcradioresources.com/programme/ [Accessed 29 January 2013].

British Broadcasting Corporation (2). 2013. Sound Effects and Music in Programmes. [online]. Available from: http://www.bbc.co.uk/guidelines/dq/pdf/radio/radio_sound_effects.pdf [Accessed 29 January 2013].


British Broadcasting Corporation. 2013. Programme Delivery Glossary. [online]. Available from: http://www.bbcradioresources.com/programme/glossary.html [Accessed 29 January 2012]

Wednesday, 23 January 2013

Script

The script has been altered slightly; the play now ends with Archie being ushered through the gates at an airport as opposed to him collapsing. This was done as I was told the original ending was dissatifying and the story lost its sence of justice, which after consideration seems a fair point.










                                                                        Slow Train


A play for radio


by


James Law
Dylan Mackie
Campbell Logan
Liam Hutchinson


Scene 1
Archie is in a busy airport looking at flights contemplating where he wants to go
F/X: Crowd noises, airplanes flying overhead
archie (thought): Whur tae go, whur tae go… A new life… The world’s ma oyster! I hink um gonna go for Austrailia. Aye Austrailia, that’s whur am headin, Chrissie wulda ne’er huv gone for that. Ahh Crissie,
(PAUSE)
It wasnae like a ment tae dae her ony ill.
F/X: Loud Train Pans across the stereo image, blowing its horn


END
Scene 2
Crissie, Archie, Alan and carrie are having a meal in burger king in the train station before departure
F/X: train station ambience, people talking & WALKING, trays and cups hitting the table can be heard in the background
CHRISSIE: Ma burgurs cauld, we shulda went tae the café over there, ye never listen Archie neither ye dae!
CARRIE: Mines awright maw, stop yer whinging.
Chrissie: Dinna ye taak tae me like that, Archie, Archie you gonna let her taak tae me like that?
CARRIE: Dinna bring Da intae this!
ALAN: That’s enuff yous two! Let us eat in peace, yous are aaways bikering!
CHRISSIE : Dinna you start noo an aa! Av hud it up tae here wi you!
ARCHIE: Please, Please were awa oan oor holidays, jus stop!
CHRISSIE: Some husband you are! Let these treat me like dirt!
CARRIE: Dirt? Aa you ever dae is gie us aa grief!
ALAN: Carrie jus leave it.
CARRIE: Aye a wull leave it, am off! Da enjoy yer holiday, see ya later Alan!
F/X: Carrie Gets up
archie: please love, wil ye no jus stay? We dinna get much chance to see each other onymore..
CARRIE: (HESITANT) Aye awrite Da.
F/X: cARRIE sITS DOWN
(PAUSE)
CHRISSIE: (SARCASTICLY) Mibbe we’d see mair o them if they dinna live half way across the country..
CARRIE: Aye an its still nae far enough fae you!
CHRISSIE: (ANGRILY) So that’s why ye moved then aye! Efter aa av done for you ower the years, an ye’l no even bring yer bairns tae see thur granny!
CARRIE: (SHOUTING) Whit hae ye done apart fae drive us aa roun the bend eh! I wudnae let ma wains onywhere near ye, yer poison! If it wisnae fur ma Da I’d be done wi ye a long time ago!
CHRISSIE: (SHOUTING) Aye wull, if a ken’t how you’d turn out I’da got rid o ye as soon as the doctor telt me I was pregnant! Ye’v nae respect fur naebody!
ARCHIE: (PLEADING) Cun ye baith stop please!
CARRIE: Am sorry Da a gotta go I canny be roun her another meenit.
F/X: CARRIE GETS UP AND LEAVES, CHAIR SCRATCHING THE FLOOR & FOOTSTEPS
ARCHIE: Bye darlin.
CHRISSIE: Aye and good riddance!
(PAUSE)
Ungrateful wee boot.. that’s you spoilin her aa her life Archie! Nae a bit of decency in her.
ARCHIE: (SHEEPISHLY) Ye didnae need tae say aa that ye ken.
CHRISSIE: An um suppose tae let tha wee midden taak tae me like tha um a?
ALAN: C’mon Maw.. lets jus forget aboot it.
CHRISSIE: You wheesht, yer jus as bad, ye never come tae see me onymore either.
(AWKWARD PAUSE)
ALAN: So, eh, whats yer plans fur yer holidays Da?
ARCHIE: Well, I wus thinkin…….
CHRISSIE: Wit ye think he’s gonnie dae? He never does onything! Never takes me onywhere! Jus sits there moanin!
ALAN: Come on maw, gie da a break….
CHRISSIE: Gie him a break?! He never gies me a break! Nane of ye’s dae!
(PAUSE)
ALAN: Oh, look at the time, ye better hurry if you want tae make it tae the shop.
ARCHIE: O.K son, thanks for seein us aff, safe journey hame.
ALAN: Right,yous huv a good holiday, Bye maw, bye pa.
ARCHIE: Bye son!
CHRISSIE: Hmph!


END
Scene 3
Archie and chrissie are in wh smith
F/X: cROWD NOISES, CHECKOUT BEEPING BAGS GETTING PACKED ETC
ARCHIE: Dae ye want some sweeties fur the trip?
CRISSIE: We’re jus after eatin, yer aye thinkn aboot yer stomach!
ARCHIE: Jus gies peace wumman, ye’ve been naggin aw day, noo dae ye want something fur the train or naw?
CHRISSIE: Aye! Get me some humbugs!
(PAUSE)
ARCHIE: Excuse me son, dae ye huv ony humbugs?
SHOP ASSISTANT: Sorry sir, were out I’m afraid.
CHRISSIE: Whit dya mean yer oot?! Wit kinda shop is this?!
SHOP ASSISTANT: I’m sorry madam we’re due a delivery.
CHRISSIE: Don’t ye madam me sonny! Av hauf a mind tae come back there and……
ARCHIE: Chrissie!
CHRISSIE: Wit? Ye hear the cheek he’s giein me?
ARCHIE: Cun ye jus pick sumthin afore we miss oor train.
CHRISSIE: If ye jus stop hasslin me fur a meenit a wul!
(PAUSE)
ARCHIE: Dae ye want sumthin tae read?
CHRISSIE: ehh.. Aye I’ll get ma weekly.
(PAUSE)
(RAISED VOICE) Here you, useless! Whurs the Weekly Woman?!
SHOP ASSISTANT: (RELUCTANTLY) Just there to the left of you.
(PAUSE)
CHRISSIE: I dinnie see it, cum an get it fur me.
ARCHIE: Fur gods sake wud ye speak to the boy properly.
CHRISSIE: Dinnie you tell me how tae taak tae people Archie!
ARCHIE: Right enough of this, were leavin!
CHRISSIE: Fine! A wuldnae gie these a penny onyway!
ARCHIE: Sorry son.
SHOP ASSISTANT: Don’t worry about it pal.


END
Scene 4
Archie and chrissie are waiting on the platform for the train
F/X: Train station ambience, crowd and train noises, Archie can be heard pacing up and down the platform


CHRISSIE: Whurs this train it was meent tae be here 10 minutes ago.
(PAUSE)
These trains are aye late arnt they? Archie?! Archie?! Are ye listenin? Ye never listen tae me!
ARCHIE: For Christ sake Chrissie, gie it a rest. The train will come when it comes.
CHRISSIE: Ye never agree I micht be rich, aye takin me doon, never think about what your dain tae ma confidence.
ARCHIE: (Sighs)
CHRISSIE: Wit ye huffin at eh?!
ARCHIE: Nuthin Chrissie, Nuthin.
F/X: train heard pulling in
CHRISSIE: Heres the train noo, bout time tae.


END
Scene 5
archie and chrissie are on the train. the conducter is working his way up the carraige
F/X: Train (not moving) Ambience. people walking along the carriage and taking their seats. the ticket inspector is heard coming along the carriage.
CHRISSIE: Archie Um hayin the windae seat!
ARCHIE: OK.
CHRISSIE: Um no sittin near aw these strange folk. The smell o them gies me the boke!
ARCHIE: Enough Chrissie keep yer voice dow..
CHRISSIE: Dinna ye raise yer voice at me Archie!
(PAUSE)
Theres nae leg room aboot these seats… A hate travellin so a dae! Ye ken that Archie! Why dae ye huv tae drag me away oan holiday, we wur happy enough at hame….. Aye, just you keep readin yer paper Archie! I’ll jus taak tae masel wull a?
CONDUCTOR: Tickets please.
ARCHIE: Here you are son.
CONDUCTOR: Sorry sir these aren’t first class tickets.
ARCHIE: Eh? There must be a mistake I’m sure a said first class tae the lad at the station.
CONDUCTOR: I’m sorry sir these are definitely standard.
CHRISSIE: Archie ye eejit, ye’ve muckd up the tickets!
ARCHIE: Can you gie me a minute tae sort this out.
CHRISSIE: Ye shuda sorted this out properly before we got oan. Im no movin, theres nae enough room as it is.
CONDUCTOR: These seats aren’t reserved, would ye like to upgrade?
ARCHIE: Thanks son. How much extra is it?
CONDUCTOR: It is…….. another £32.
CHRISSIE: (ANGRILY) Wit?! £32?! That’s a disgrace, ye should be ashamed o yersel chargin that.
CONDUCTOR: Sorry but that’s the price, I don’t make the rules.
CHRISSIE: (AGRESSIVLY) Ye ken wur pensioners?! How d’ye hink we can afford aa that? Ye sud huv a balaclava oan.
ARCHIE: Chrissie, please.
CONDUCTOR: I’m sorry, there’s nothing I can do.
CHRISSIE: Aye yer useless so ye are!
ARCHIE: Chrissie! Enough!
CONDUCTOR: (SNAPS) Excuse me! Anymore of that and yer off!
F/X: aRCHIE PULLS OUT HIS WALLET AND TAKES MONEY FROM IT
ARCHIE: (PLEADING) No, please son, um sorry about her, heres the extra.
CONDUCTOR: Thank you… There’s your change.
ARCHIE: Thank you.
F/X: CONDUCTER CONTINUES DOWN THE CARRIAGE
CHRISSIE: (SARCASTICLY) Yer sorry aboot her are ye?! Yer spineless so ye ur! Caw yersel a man Archie?!
ARCHIE: For God’s sake wumman, gies peace!
CHRISSIE: Hows about stickin up fur yer wife fur a change eh!
(PAUSE)
I dinna ken how a merried ye onyway! Certainly wusnae fur yer looks.
ARCHIE: (SIGHS)
F/X: TRAIN LEAVES STATION (PANNED across THE STEREO IMAGE)
END
Scene 6
Archie and chrissie ARE on the train THE TRAIN PULLS IN DALMENY BEFORE SETTING OFF AGAIN
F/X: tRAIN COMES IN FROM THE LEFT OF THE STEREO IMAGE. CUT TO ONBOARD TRAIN AMBIENCE. tRAIN STOPS SHORTLY AFTER TANNOY ANNOUNCEMENT. aRCHIE CN BE HEARD FLICKING THROUGH HIS PAPER
TRAIN TANNOY: We are now approaching Dalmeny, would all passengers please mind the step when alighting from this train.
CHRISSIE: (MOANS)Och this is the slow train Archie! How’d ye book this one ya auld erse!
ARCHIE: I didnae ken it wus the slow train, um sorry.
CHRISSIE: Ye dinnie ken nuthin Archie, we’l be oan this fur oors. I’ll be deed afore we get tae Dundee!
ARCHIE: Stop weengin Chrissie, wul get there whun we get there.
CHRISSIE: (SHOUTS)Dinna tell me tae stop weengin, this is your fault Archie! Yer the smart arse that got the wrang ticket fur the wrang train! Theres nae way I cun sit oan this train fur twa oors! Nae way!
ARCHIE: (SARCASTICLY) Wull we jus go hame noo then?
CHRISSIE: Aye! Lets get aff!
ARCHIE: (FED UP) Och awa wae yi.
CHRISSIE: This’ll be the last time I go onywhur wae you, I’ll tell ye that!
F/X: Train LEAVES THE STATION AND MOVES TO THE RIGHT OF THE STEREO field BEFORE FADING OUT
END
Scene 7
Archie and chrissie ARE STILL on the train THERE IS A REFRESHMENTS TROLLY COMING DOWN THE CARRIAGE
F/X: ON BOARD TRAIN AMBIENCE, TROLLY BEING PUSHED DOWN THE CARRIAGE
ARCHIE: Crissie, luk at them oot thur, mind the day we took the bairns…
CHRISSIE: (Interrupts) Dinna waste yer breath Archie…
ARCHIE : (SIGHS)
(PAUSE)
TRAIN WORKER: (Adlibbing In background)
ARCHIE: Dae ye want a drink?
CHRISSIE: (SARCASTLICLY) Aff that brown boy? I dinna hink so.
ARCHIE: (STERN RAISED VOICE) Chrissie!! We got a long way to go. Now dae ye want onything or no?
CHRISSIE: Aye well I could dae wi a wee drink but, och I dinna ken, tea maybe, er no coffee, aye coffee. Mind nae cream, skimmed milk and one sugar, jist one sugar.
TRAIN WORKER: Hi can I get you anything?
ARCHIE: Aye, cun I get a tea and a coffee please, milk and one sugar son.
CHRISSIE: Make sure its skimmed milk Archie!
ARCHIE: Skimmed milk please son.
TRAIN WORKER: Sorry I've only got semi skimmed.
CHRISSIE: That's no good enough! Wul dae without.
ARCHIE: Wul ye no just taak it?
CHRISSIE: No, I'll no
ARCHIE: Just the tea then please son.
F/X: TRAIN WORKER POURS THE TEA
CHRISSIE: (Under her breath) They come to this country, take aa the jobs an canny even dae them richt.
TRAIN WORKER: (SHOKED) Excuse me?
ARCHIE: (RAISED VOICE) Jesus Chrissie, enough of that!
CHRISSIE: Wit?
ARCHIE: Leave the boy alaine, he's dain his job!
CHRISSIE: (SARCASTICLY) Oh, its good tae see that coloured folks have the same richts as us.
TRAIN WORKER: Here you, I'm from Glasgow actually, an am no havin you speak tae me like that!
ARCHIE: (ANGRY) Chrissie, shut yer trap, now!
CHRISSIE: Your gonna let one of them taak tae me like that?
TRAIN WORKER: (ANGRY) Ye can stick your coffee ya old bint!
F/X: TRAIN WORKER WALKS OFF
ARCHIE: (GETTING WOUND UP)Your a disgrace wumman! He wis..
CHRISSE: (INTERRUPTS) He's never fur Glasgow wi a face like that!
ARCHIE: (SNAPS) That's it! a’ve hud it up tae here wi you wumman, yer constant lip, weengin at a'body and a'thing. Y'ell gee me a heart attack so ye wul! A soon as we get aff this train am aff, am gone wioot ye, dae ye hear me Chrisse
(PAUSE)
ARCHIE: Chrissie...Chrissie!...
(PAUSE)
ARCHIE: (QUIETLY) Oh god...(SIGHS)
END
Scene 8
Archie IS IN THE AIRPORT gate
F/X: AIRPORT AMBIENCE, CROWD NOISE, PLANES HEARD FLYING. WHILE ARCHIE IS THINKNG A LOW PASS FILTRE IS IN PLACE DULLING ALL OTHER SOUNDS
ARCHIE: (THOUGHT) She wus sitting wi her een wide open. Her jaw had drapped doon like she had jist gotten oot the last word. Her tongue wis hingin oot the side o her mou and her skin had a blue tinge tae it.
(PAUSE)
Nae a bit o breath, I couldnae believe it – deid – jist like that. Chrissie, deid wothoot a word o complaint.
(PAUSE)
(MIMICING CHRISSIE) 'Want tae go wi dignity.' That had always been Chrissie's cry. I widnae say that deein on a slow train tae Dundee wis exactly dignified, but it wis a fittin end of Chrissie.
(LONG SIGH)
I began tae think aboot aathin I wid hae tae dae, aa the forms tae fill in, the undertaker, the biled ham and sausage rolls; it didnae seem worth it. The mair I thocht the mair a waste o money it grew tae be. This on tap o aathing she had
ARCHIE/CONT’D OVER


ARCHIE(CONT’D): cost me ower the years, no tae mention the emotional sufferin o daein the messages for a quarter o a century.
(PAUSE)
I lookit roon but naebody wis peyin attention, efter aa, aabody had had enough o her.
(PAUSE)
I whipped aff her rings and the gowd chain she wore roon her neck and pit her handbag in my rucksack. I closed her eyes and turned her heid so she wis leanin agin the gless.
(PAUSE)
I had often dreamed aboot leavin her but no quite like this. I gae her a peck on her chowk jist tae lat her ken I bode her nae ill-will.
(PAUSE)
I reckoned I had aboot twa oors afore they noticed she wis deid. Time for me tae get a taxi, empty the bank account and get tae the airport.
(PAUSE)
An here a um on ma way tae Austrailia. Free.
F/X: LOW PASS FILTER REDUCED AS AIRPORT SECURITY SPEAKS
AIRPORT SECURITY: Sir... Excuse me sir!
ARCHIE: (WORRIED) Eh??
(PAUSE)
AIRPORT SECURITY: Ye dropped your bag.
ARCHIE: (STUTTERING) Oh, thank you son.
F/X: ARCHIE WALKS TO THE BOARDING DESK
AIRPORT STAFF: Good afternoon sir, can I see your boarding pass please.
ARCHIE: Aye, there you go.
AIRPORT STAFF: That’s great, if you just make your way through the gate.
F/X: AUDIO FADES OUT THROUGH FINAL LINE.
END